
The boys got dressed upstairs in the back of the church. There was a tight staircase leading up to the room they were in which was perfect for the group shot.

I love a good "fish-out-of-water" picture and the church had a big kitchen. I love this picture because it's foreshadowing of things to come.... domestic bliss, etc..

Another shot in the kitchen. I love the red floor.

Windows can be your best friend when you don't have much available for background. Here, the bride is having glitter applied to her eyes.

Studio portrait? No, I just turned out the lights in the room and lowered my shutter speed so that the room went completely black. Then I posed her in front of a window.
As always, you can see a lot more photography from Tampa weddings on my website: www.boorayperry.com



My original intention was to have a sunset shoot but Ashley was running late and it got dark on us. So, I quickly started looking for ways we could turn the night to our advantage. In Tampa Bay there isn't a much better place for night photography than Ybor City with the lights and old Tampa feel (I love cobblestones). So, I put Ashley in the middle of the street, pulled out a second flash (lucky for me I tend to over-pack for photo shoots) and started taking pictures. As you can imagine, a picture like this takes a little more work than the others from the session. I have one flash to my left shooting through an umbrella and another on the ground under a car behind Ashley (see the bright flash on the right side?). Ideally I would have preferred to not have that back flash show so bright but I was hampered by space and the lack of a second tripod (wasn't planning for night shoot, remember?). Still, it works because it could just be light from a car. It makes a big difference in the picture because it puts a rim light on her legs.


